BALLET EVENING
BALLET EVENING
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PETITE MORT
One-act ballet to music by Wolfgang Amadeus Mozart
World premiere: 23 August 1991, Salzburg Festival,
NDT Company (Nederlands Dans Theater)
Premiere at the Astana Opera House:
13-14 May 2023
ARTISTIC AND PRODUCTION TEAM
Production Concept / Set Design / Choreography: Jiří Kylián
Assistant to the Choreographer: Stefan Zeromski
Music Director and Conductor: Elmar Buribayev
Costume Design: Joke Visser
Light Design: Jiří Kylián
Light Design Realization: Joop Caboort
Technical Supervisor Light/Set: Joost Biegelaar
Technical Project Manager: Victor Carare
Piano: Dolores Umbetaliyeva, Honoured Worker of Kazakhstan
Director, Host of the Performance: Elmira Sultangazina
Artistic Director of the Astana Opera Ballet Company: Altynai Asylmuratova, People’s Artist of Russia
The ballet Petite Mort was created to music by Wolfgang Amadeus Mozart (the slow movements of two piano concertos) for the Salzburg Festival on the occasion of the 200th anniversary of Mozart’s death in 1991.
The title Petite Mort is profound and metaphorical. “La petite mort” (“the little death”) is what the French call the culmination of carnal pleasures, but Kylián is fascinated by the diversity of lovemaking, from innocent touches to passionate entanglements of bodies.
The six adagios arising from the meditative mass compositions are a masterpiece of amazing interpenetration of a magnificent musical basis and filigree movements. The bodies are obedient to the touch of the partners and the breath of the music, the love duels are drawn by an intricate graphic of lines.
Here love and death go hand in hand. The ballet is performed by six men and six women. In the hands of the male dancers there are either sharp rapiers or naked female bodies. The duets in Petite Mort are filled with sensuality, but Jiří Kylián does not at all emphasise the theme of carnal love; on the contrary, the divine harmony of his choreography leads to the fact that the duets suddenly lose all corporal sexuality and the eroticism loses its unambiguousness. It is not by chance that Kylián’s ballet has been called “a love lyric of the highest standard”.
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